It features a one-piece mahogany neck with an Indian laurel fretboard and a comfortable Rounded C profile, Gibson BurstBucker 2 and 3 pickups wired to CTS potentiometers and Mallory capacitors, A Switchcraft pickup selector toggle switch and output jack and a Maestro Vibrola. The Epiphone Joe Bonamassa 1962 ES-335 is a tribute to a legendary guitarist and one of his cherished instruments. Feeling fortunate to get his old guitar back, Joe promised that this important instrument would stay with him for the rest of his life. As the unexpected phone call resulted in Joe being reunited with his old friend, the red ES-335 that propelled him through his first solo album and launched him into a new life on the West Coast. In 2001, he regrettably sold the guitar to help fund his move from New York to L.A. In 1996, he purchased a red 1962 Gibson ES-335 and used the guitar on his first solo album, A New Day Yesterday. Some guitars are more special than others, even when that guitar is owned by a world-famous guitarist and guitar collector like Joe Bonamassa. “We absolutely love the story and we’re honored to be able to help tell it with the release of this faithful recreation.” Director of Product Development at Gibson Brands. “Joe has many guitars, but none have more personal significance than this ES-335,” says Mat Koehler, Sr. For almost 17 years I searched for that guitar, but then I finally got it back and now I want to share it with you.” I sold the guitar about three years later to finance a move from NYC to Los Angeles. “A 335 makes you sound different because it’s semi-hollow, but it also has a very unique, fat and warm sound that no other guitar has. The Epiphone Joe Bonamassa 1962 ES-335 is now available worldwide at authorized Epiphone dealers and on “I used my Gibson 335 on my first solo album because I wanted to sound like Eric Clapton,” says Joe Bonamassa. Epiphone is proud to take the next step in its partnership with world-famous guitarist and guitar collector Joe Bonamassa and launch the Joe Bonamassa 1962 ES-335 in Sixties Cherry. NASHVILLE, TN: By leveraging its iconic past and leaning into the future, Epiphone has set the stage for the next era of sound for present and future generations. Please see below - it is a fabulous story and we have great images and a fabulous user example with Ty Segall, who has created an entire new song using Moogerfooger alongside several other instruments. While the original Moogerfooger pedals have long since been retired and are now collectors items, the Moogerfooger plug-ins impart the same analog soul for a fraction of the price. With stereo functionality, an extended feature set, automation capability and the ability to save and manage presets, Moogerfooger plug-ins are perfect for the modern digital creator, building on the classic analog iterations. The sound is legendary and instantly recognizable, with the original pedal collection having been used by the likes of both famous and experimental artists from Lou Reed to Thom Yorke, Kim Gordon, Daft Punk, Thundercat, and many more. They should be reserved to people with actual craft.These plug-ins - compatible with both Mac and PC - work with all the major DAWs, vastly expanding the possible production canvas of music creators, producers, musicians and synthesists alike. It just pisses me off - these things lose their meaning, status and luster when they are given out like candy, IMO. Just because Mendes can strum a few chords doesn't make him deserve the honor and rare privilege of a signature model. Stratocaster for a girl and pop star that can actually play. Fender has made some suspect decisions, but then they do something cool like the H.E.R. There have been others in more recent years that got signature models aimed at kids like the Pete Wenz Squier bass for a guy who plays nothing but punk root notes. At least Ed Sheeran actually plays guitar on almost every song, though his songwriting sucks if you ask me and strikes the lowest common denominator AKA prepubescent teenage girls.īack in the day, guys like Tom Delonge from Blink was popular, wasn't the best guitarist but his riffs were extremely memorable and he actually EARNED his signature guitar. They have had TEAMS of actual talent AKA songwriters doing their work for them to fit perfectly into the world of meaningless pop drivel that circulates on modern radio. These people aren't musicians and to honor them or call them that is a farce. Yet another undeserving signature model made by Fender - first that trash Eilish uke, now this Musicmaster and Martin just made a Shawn Mendes model.
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